Submissions Tag

Narrative Pitch Formula in Action

In the Picture Book Pitch Formula, we gave you a template to use as a starting point for writing your pitches. As a reminder, this is the template:

Picture Book Summit Narrative Pitch Formula

You’ll notice that this template incorporates all the key components of a great pitch.

  • Who is your HERO?
  • What do they want in the story? What’s their GOAL?
  • What or who is standing in their way? What OBSTACLES/PROBLEMS are getting in the way of pursuing their goal?
  • What ACTIONS DO THEY TAKE to solve the problem?
  •  What do they LEARN or how have they changed by the end?
  • What is the TAKEAWAY OR THEME of your story for the young reader?

The template is powerful because it removes the guesswork around how to fit so much information into just 1-3 sentences.

Let’s show you what this looks like in action by using a classic picture book we’re all familiar with – WHERE THE WILD THINGS ARE.

Pitch Template Where The Wild Things Are

Here’s how all the key components are included in this pitch:

  • Who is your HERO? Max is our hero.
  • What do they want in the story? What’s their GOAL? Max’s goal is to be wild.
  • What or who is standing in their way? What OBSTACLES/PROBLEMS are getting in the way of pursuing their goal? Max’s mother sending him to bed without supper is the obstacle.
  • What ACTIONS DO THEY TAKE to solve the problem? Max’s actions involve embarking on an adventure.
  • What do they LEARN or how have they changed by the end? What is the TAKEAWAY OR THEME of your story for the young reader? By the end, Max learns that being where someone loves you best is even better than being wild.

 

Now try the template with your own picture book pitches!

 

 

 

Want more help with picture book pitches? Grab our FREE Picture Book Summit Pitch Formula HERE!

 

 

 

 

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PBS Elements of a Picture Book Pitch

Elements of a Picture Book Pitch

Focusing on Obstacles and Stakes

PBS Elements of a Picture Book PitchA great picture book pitch isn’t just about conveying what your hero wants—it’s about what’s standing in their way. It’s about conveying the dramatic tension in your story, and what’s at stake for your hero.

Understanding the role of obstacles and stakes is key to creating a pitch that resonates with agents, editors, and ultimately, readers.

Hero and Goal

Every pitch starts with a hero and their goal. But achieving a goal without obstacles is too easy… why should the reader care? It’s the challenges and conflicts that make a story engaging.

The Role of Obstacles in Picture Book Pitches

Obstacles are the hurdles your hero must overcome to achieve their goal. They add dramatic tension and drive the plot forward. The actions the hero takes to overcome the obstacles create and inform their emotional journey. When crafting your pitch, clearly identify the obstacles and show how they complicate your hero’s journey.

PBS Elements of a Picture Book Pitch - Why Stakes MatterWhy Stakes Matter

Stakes are what your hero stands to gain or lose. High stakes make your story more compelling. They give the reader a reason to care about whether or not your hero succeeds. In your pitch, make sure to highlight the stakes to show why the story matters. Why does this story deserve to be a picture book?

And remember, in picture books the stakes don’t have to be life or death to be important—learning how to tie your shoelaces can make the difference between walking into a classroom with confidence and falling flat on your face. Make sure what’s at stake in your manuscript and pitch resonates for, and is relatable to, young readers.

Make Your Picture Book Pitch Dynamic

Incorporating obstacles and stakes into your pitch make it more dynamic and engaging. By showing the challenges your hero faces and what’s at risk, your pitch will be that much more likely to capture the interest of agents and editors.

 

 

 

 

Want more help with picture book pitches? Grab our FREE Picture Book Summit Pitch Formula HERE!

 

 

 

 

 

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Kelli Panique

The Purpose of a Picture Book Pitch

Piquing Agent & Editor Interest Without Giving Away the Farm

PBSummit Picture Book Pitch Formula Crafting a compelling pitch is an essential skill for any picture book author. It is the single most important part of your submissions package to agents and editors for publication consideration. A well-written pitch will spark an agent or editor’s interest, making them eager to read your manuscript.

But what exactly is a pitch, and how do you create one that stands out?

What is a Pitch?

A pitch, also known as an elevator pitch, hook, or logline, is a brief synopsis of your picture book. It’s a 1-3 sentence summary that captures the essence of your story without giving away too much. Think of it as your story’s “trailer”—it should be intriguing and leave the audience wanting more.

Why is a Pitch Important?

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Your Submission Questions Answered!

Since last week’s Mini Summit, we’ve received lots of questions about the Summit + Submissions Ticket for Picture Book Summit 2024 – Perfect 10: Going for Picture Book Gold! So, we’re here today to answer the most frequently asked questions before Early Bird pricing expires this Friday, September 6, 2024.

First, let’s introduce to this year’s Featured Agents and Editors and tell you a little bit about their panels at Picture Book Summit.

2024 Featured Agents

PBS 2024 Agent PanelAGENT PANEL – Top 10 Questions for Agents

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061 PBSummit Podcast Roundtable Fresh Angles

Podcast – PBSummit Roundtable: Fresh Takes

061 PBSummit Podcast Roundtable Fresh AnglesToday we bring you a super fun episode of the PBSummit Roundtable episode as we talk about fresh takes in picture books. Our Roundtable discussions are where we discuss news and topics affecting picture book writers and illustrators today.

Agents and publishers are always saying they’re looking for stories that are “fresh and unique”, but what does that mean? Our Roundtable discussion centers around fresh angles in picture books.

Listen in as we take a look at some truly unique stories which perfectly exemplify what fresh takes on classic picture book topics can look like, and the common thread between them.

Books talked about in today’s episode:

 

Listen here:

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060 PBSummit Podcast Roundtable slow

Podcast – PBSummit Roundtable: Why is Everything So Slow?

060 PBSummit Podcast Roundtable slowThe Picture Book Summit Podcast is BACK! We kick off our newest podcast with a new PBSummit Roundtable episode. Our Roundtable discussions are where our PBSummit team sits down and talks about the topics affecting picture book creators today.

In this episode, we ask the question: Why is Everything So Slow? The pandemic is (basically) over, so why are things not back to normal? Will things ever go back to the way they were or is this slowness the new normal in publishing?

Emma Walton Hamilton leads our discussions. She reached out to her agent and two of her editors for their insights on trend in children’s publishing. We hope you find this discussion fascinating and maybe a little uplifting. Ultimately, there’s some good news related to this pace.

 

Listen here:

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PBSummit Emma Walton Hamilton and Julie Hedlund

Podcast – Fine Tune Your Pitch

Emma Walton Hamilton and Julie Hedlund - Query Letters That WorkedIn this episode, children’s picture book authors Emma Walton Hamilton and Julie Hedlund give an overview of the four essential components of a query (introduction, pitch, bio and market info, and conclusion).

Then they dig deep into crafting the ever-elusive perfect pitch. Listen in for tips on creating a pitch that captures the story and spirit of your book and piques an agent or editor’s interest. If you’re in the querying trenches, this one’s for you!

 

 

Listen here:

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Picture-Book-Summit-Podcast_feature_image_Emma-Walton-Hamilton

Podcast – 4 Big Reasons Manuscripts Get Rejected Part 4

Picture-Book-Summit-Podcast_feature_image_Emma-Walton-Hamilton

It’s our last episode of our series the 4 Biggest Reasons Your Manuscripts Get Rejected!

Following agent submission guidelines should be a no-brainer when it comes to searching for an agent, right?

“Query-whisperer” Emma Walton Hamilton gives an inside look as to why following submission guidelines are crucial—and how over half of all new authors get it wrong. This episode is your shot to getting it right.

Have you listened to the rest of the 4 Biggest Reasons Manuscripts Get Rejected series?

Catch up here:

046 – 4 Biggest Reasons Manuscripts Get Rejected Part 1 – Unoriginal Ideas

047 – 4 Biggest Reasons Manuscripts Get Rejected Part 2 – Lack of Emotional Resonance

048 – 4 Biggest Reasons Manuscripts Get Rejected Part 3 – Not Submission Ready

We hope this series has helped you develop stronger submission packages that lead you to picture book success!

 

Listen here:

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Katie Davis - procrastination and your first 1000 readers

Podcast – 4 Big Reasons Manuscripts Get Rejected Part 3

Katie Davis - procrastination and your first 1000 readers

It’s time for the third biggest reason manuscripts get declined by agents and editors and this is a BIG one. Manuscripts are turned down every day for the simple reason that they are just not ready. So, how do you know when your manuscript is ready for publication, therefore ready for an agent’s or editor’s eyes?

Listen now as Katie Davis gives a brief breakdown of all the things to look for in your manuscript to be sure it’s actually ready to be sent out into the world of publishing.

Have you listened to the first two episodes of 4 Biggest Reasons Manuscripts Get Rejected?

Catch up here:

046 – 4 Biggest Reasons Manuscript Get Rejected Part 1 – Unoriginal Ideas

047 – 4 Biggest Reasons Manuscript Get Rejected Part 2 – Lack of Emotional Resonance

Stay tuned! We wrap up this series with Part 4 in two weeks!

 

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Podcast – 4 Big Reasons Manuscripts Get Rejected Part 2

Picture-Book-Summit-Podcast_feature_image_Julie-Hedlund

It’s time for the second biggest reason manuscripts get tossed out by agents and editors. Have you ever heard: “Your story didn’t resonate with me”? Julie Hedlund shares how this type of response maybe indicate a lack of emotional resonance in your story.

Listen in as Julie defines emotional resonance and how to ensure your picture book has it. You’re one more step closer to picture book success with these tips.

Which picture books really resonate? How can you study up on emotional resonance?

Check out the books below!

Dash’s Picture Books Picks for Emotional Resonance

  • The Stuff of Stars by Marion Dane Bauer & Ekua Holmes
  • Bikes for Sale by Carter Higgins & Zachariah Ohora
  • Nine Months: Before a Baby is Born by Miranda Paul & Jason Chin
  • Before She Was Harriet by Lesa Cline-Ransome & James E. Ransome
  • When Grandma Gives You a Lemon Tree by Jamie L.B. Deenihan & Lorraine Rocha
  • Ogilvy by Deborah Underwood & T.L. McBeth

Did you catch Part 1 of the 4 Biggest Reasons Manuscripts Get Rejected? Listen here.

Be on the lookout for Part 3 in the next two weeks!

 

Listen here:

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