Narrative Pitch Formula in Action

In the Picture Book Pitch Formula, we gave you a template to use as a starting point for writing your pitches. As a reminder, this is the template:

Picture Book Summit Narrative Pitch Formula

You’ll notice that this template incorporates all the key components of a great pitch.

  • Who is your HERO?
  • What do they want in the story? What’s their GOAL?
  • What or who is standing in their way? What OBSTACLES/PROBLEMS are getting in the way of pursuing their goal?
  • What ACTIONS DO THEY TAKE to solve the problem?
  •  What do they LEARN or how have they changed by the end?
  • What is the TAKEAWAY OR THEME of your story for the young reader?

The template is powerful because it removes the guesswork around how to fit so much information into just 1-3 sentences.

Let’s show you what this looks like in action by using a classic picture book we’re all familiar with – WHERE THE WILD THINGS ARE.

Pitch Template Where The Wild Things Are

Here’s how all the key components are included in this pitch:

  • Who is your HERO? Max is our hero.
  • What do they want in the story? What’s their GOAL? Max’s goal is to be wild.
  • What or who is standing in their way? What OBSTACLES/PROBLEMS are getting in the way of pursuing their goal? Max’s mother sending him to bed without supper is the obstacle.
  • What ACTIONS DO THEY TAKE to solve the problem? Max’s actions involve embarking on an adventure.
  • What do they LEARN or how have they changed by the end? What is the TAKEAWAY OR THEME of your story for the young reader? By the end, Max learns that being where someone loves you best is even better than being wild.

 

Now try the template with your own picture book pitches!

 

 

 

Want more help with picture book pitches? Grab our FREE Picture Book Summit Pitch Formula HERE!

 

 

 

 

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Podcast – Shadra Strickland

Shadra Strickland PodcastShadra Strickland might be the most delightful writing workshop presenter on the planet. In this episode, the author/illustrator (and agent!) reveals how to get at the heart of your story by sharing some of her best writing exercises to get your creative juices flowing from your brain to the page.

This is a fun one! Enjoy!

 

Listen here:

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PBS Elements of a Picture Book Pitch

Elements of a Picture Book Pitch

Focusing on Obstacles and Stakes

PBS Elements of a Picture Book PitchA great picture book pitch isn’t just about conveying what your hero wants—it’s about what’s standing in their way. It’s about conveying the dramatic tension in your story, and what’s at stake for your hero.

Understanding the role of obstacles and stakes is key to creating a pitch that resonates with agents, editors, and ultimately, readers.

Hero and Goal

Every pitch starts with a hero and their goal. But achieving a goal without obstacles is too easy… why should the reader care? It’s the challenges and conflicts that make a story engaging.

The Role of Obstacles in Picture Book Pitches

Obstacles are the hurdles your hero must overcome to achieve their goal. They add dramatic tension and drive the plot forward. The actions the hero takes to overcome the obstacles create and inform their emotional journey. When crafting your pitch, clearly identify the obstacles and show how they complicate your hero’s journey.

PBS Elements of a Picture Book Pitch - Why Stakes MatterWhy Stakes Matter

Stakes are what your hero stands to gain or lose. High stakes make your story more compelling. They give the reader a reason to care about whether or not your hero succeeds. In your pitch, make sure to highlight the stakes to show why the story matters. Why does this story deserve to be a picture book?

And remember, in picture books the stakes don’t have to be life or death to be important—learning how to tie your shoelaces can make the difference between walking into a classroom with confidence and falling flat on your face. Make sure what’s at stake in your manuscript and pitch resonates for, and is relatable to, young readers.

Make Your Picture Book Pitch Dynamic

Incorporating obstacles and stakes into your pitch make it more dynamic and engaging. By showing the challenges your hero faces and what’s at risk, your pitch will be that much more likely to capture the interest of agents and editors.

 

 

 

 

Want more help with picture book pitches? Grab our FREE Picture Book Summit Pitch Formula HERE!

 

 

 

 

 

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Kelli Panique

The Purpose of a Picture Book Pitch

Piquing Agent & Editor Interest Without Giving Away the Farm

PBSummit Picture Book Pitch Formula Crafting a compelling pitch is an essential skill for any picture book author. It is the single most important part of your submissions package to agents and editors for publication consideration. A well-written pitch will spark an agent or editor’s interest, making them eager to read your manuscript.

But what exactly is a pitch, and how do you create one that stands out?

What is a Pitch?

A pitch, also known as an elevator pitch, hook, or logline, is a brief synopsis of your picture book. It’s a 1-3 sentence summary that captures the essence of your story without giving away too much. Think of it as your story’s “trailer”—it should be intriguing and leave the audience wanting more.

Why is a Pitch Important?

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The Fan Brothers

Podcast – The Fan Brothers: To Imagination and Beyond

The Fan Brothers

What do t-shirt design and writing and illustrating picture books have in common?

Quite a bit actually! They have to be eye-catching. They have to be something the wearer or reader wants to go back to again and again. And just like a picture book, a good design tells a story.

Eric and Terry Fan take us on a journey in To Imagination and Beyond. The Fan Brothers share how your next story might be waiting for you where you least expect it. And, they should know. A t-shirt design ultimately became the award-winning picture book The Night Gardener and a 30-year-old doodle grew into Lizzy and the Cloud.

We adore The Fan Brothers and after this episode we think you will too!

Listen here:

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Kate DiCamillo

Podcast – The Cosmic Connection Between Beginnings and Endings

Connection between Beginnings and EndingsToday’s episode features a practically perfect pair of presenters.

You’ve seen presentations about great picture book beginnings. You’ve seen them about effective endings. But a truly great picture book relies on the connection between the two.

Today, Emma Walton Hamilton & Julie Hedlund are here to show how to launch topflight stories and navigate them to stellar endings.

 

 

 

Listen here:

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PBSummit Katie Davis

Podcast – Katie Davis: Houston, Your Manuscript Has a Problem

PBSummit Katie Davis

One of the best ways to navigate your course as a writer is through critiques.

In this episode of the podcast, we share a snippet of Founder Katie Davis’ presentation Houston, Your Manuscript Has a Problem. Katie discusses why critiques are important and things to consider as you seek feedback from critique groups and freelance editors.

Get ready to take your work to a whole new stratosphere!

 

 

Listen here:

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Your Submission Questions Answered!

Since last week’s Mini Summit, we’ve received lots of questions about the Summit + Submissions Ticket for Picture Book Summit 2024 – Perfect 10: Going for Picture Book Gold! So, we’re here today to answer the most frequently asked questions before Early Bird pricing expires this Friday, September 6, 2024.

First, let’s introduce to this year’s Featured Agents and Editors and tell you a little bit about their panels at Picture Book Summit.

2024 Featured Agents

PBS 2024 Agent PanelAGENT PANEL – Top 10 Questions for Agents

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Kelli Panique

Kelli Panique – Top 10 Picture Book Summit Moments

Kelli PaniqueWow! Ten years of Picture Book Summit. I guess it’s true what they say that time flies when you’re having fun. I hope you’ve been enjoying our team’s top 10 lists this week. If you missed any of them, you can find Emma’s here, Katie’s here, and Julie’s here.

When this journey started, I was a picture book novice to say the least. Katie and Julie asked me to come onboard because I had experience in customer service and online conferences. (Back then we still had to explain what a web room was and how it worked. THAT was my job!) As that background person, my memories skew a little differently from the rest of the team, so if you’re a lover of behind-the-scenes peeks, I think you’ll enjoy my Top 10 List.

1. It worked!

Mac Barnett was our last Superstar Speaker of the day at our very first Summit. Once he logged in and his camera and mic worked. It was a HUGE sigh of relief for me and the rest of the behind-the-scenes team. (Shout out to Aaron and Kristin!) Then there was the surge of adrenaline realizing that WE DID IT! That Summit was immediately followed by online toasts and celebratory beverages! (In fact, all Summits are immediately followed with this kind of celebration!)

2. “Do you want to see my studio?”

Yes, please! When Julie and I did our tech check with the late beloved Tomie DePaolo, he offered to take us on tour of his studio. First off, Tomie was just a big beautiful light in this world. Even through a video screen, his smile lit up the room and his eyes twinkled in that special way of someone who is truly happy to see you. So, he loaded up his laptop and took us round his studio and gave us the grand tour. He laughed and giggled as he showed us around. It was such a special moment and Julie and I could not believe our luck! I still have the email he wrote me after the Summit signed with x’s and o’s. He was a gem of a human being.

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PBS Julie Hedlund Top 10

Julie Hedlund – Top 10 Picture Book Summit Moments

PBS Julie Hedlund Top 10Today it’s my turn to share my Top 10 favorite moments from 10 years of Picture Book Summit! Although as Katie said, it’s impossible to choose ONLY 10, so here is a small sampling of some of the magical experiences I’ve enjoyed as one of the founders of this incredible conference.

I found myself quite emotional after writing this post. I’m so proud to be part of the  Picture Book Summit team, and I can honestly say I’m looking forward to the next 10 years!

1. First Day Jitters

Somehow, I drew the straw of interviewing our first speaker (author/illustrator Peter Brown) of the first Summit. I was SO nervous, and the night before I barely slept because I had stress dreams all night (the usual—showing up late, forgetting to wear clothes, not being able to log in…). But the interview was, of course, amazing! Afterward, I just knew the rest of the day was going to be incredible – that we had really created something special.

2. David Shannon’s Big Oops!

I love myself a great pun. I also love stories where authors and illustrators we love share their goofs and gaffes with us. Like David Shannon telling us how important it is for illustrators to revise for consistency in their illustrations. In the first edition of Duck On a Bike, all of the illustrations featured a bell on the bike except the last one, which was missing the bell. He got called on it by a kid and decided to make bell stickers. From then on, when any kid wrote in to point out the lack of a bell on the last bike, he sent a sticker saying they received the “No-Bell Prize.” Get it? Get it? (laugh emoji)

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